Richard Eurich (1903-1992)
From the 1930s onwards the sea became an important subject for Eurich. He explained how he tried to capture ‘the structure of the water, not just the sea as blue background with landscapes and harbours as the main feature’. An Isle of Wight artist, the Solent was a recurring theme in his work, which he painted in all weathers, day and night. These works often reflect the artist’s emotional state. Several of his paintings of the late ‘60s are sombre and brooding; the market for his work had dwindled in the late ‘50s and he was forced to take a part- time job at Camberwell School of Art to help pay the bills.
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Alexander Stanhope Forbes (1857-1947)A Sketch, Mousehole Harbour, CornwallPOA
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Henry Moore (1831-1895)SeascapePOA
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Alma Claude Burlton Cull (1880-1931)A Grey Day in the Solent£1,800
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Alma Claude Burlton Cull (1880-1931)A Still Morning£1,800
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Alma Claude Burlton Cull (1880-1931)Sailing Boats at Anchor£1,800
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Harold Speed (1872-1957)Vesuvius from Capri£6,500
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Michele Federico (1884-1966)CapriPOA
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John Brett (1831-1902)Sunset off Lundy IslandPOA
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Francis Danby (1793-1861)The Evening Gun, 1857POA
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John Brett (1831-1902)Newquay, CornwallPOA
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William Lionel Wyllie (1851-1931)Shrimpers Hauling to WindwardPOA
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James Whitelaw Hamilton (1860-1932)Evening on the ClydePOA
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Sir Lawrence Alma-Tadema (1836-1912)Inundation of the RhinePOA
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Sidney Richard Percy (1821-1886)Grange-over-Sands, and, Lancaster Sands£6,000
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Henry Moore (1831-1895)Sunset on the Coast£4,800
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Richard Eurich (1903-1992)Low Tide, Beaulieu River£6,800
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Harry van der Weyden (1868-1952)The Harbour at Menton, Côte d'Azur£6,000
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William Lionel Wyllie (1851-1931)The Sea-Beach after a Storm - Time, DawnPOA
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John Brett (1831-1902)Yachts in a Seaway, MediterraneanPOA
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William Pye (1855-1934)A Rough Day at Leigh£2,800
The Maas Gallery, 6 Duke Street, St. James's, London, SW1Y 6BN
+44 (0) 20 7930 9511 | mail@maasgallery.com
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